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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds during 1977

The talented musician, one half of the groundbreaking 1980s synth-pop band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the team scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the innovative electronic act The Grid, who secured chart success with 1994's Swamp Thing.

Ball passed away peacefully in his sleep at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a period of ill-health.

"I managed to damage myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and broke my arm."

After contracting a lung infection and developing blood poisoning, he was put in an medically-induced sleep and stayed in hospital for half a year.

However, he had been in "high spirits emotionally" over the warmer months, as he worked on a fresh record with Almond, titled the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was focused and so happy with the latest project that we literally completed only a short time ago," stated the singer in a tribute.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant part of my life and for the music you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a band, the bond is very tight," he added.
"That's how it was with us. We went through so many remarkable, incredible, life-affirming experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half of age.

He grew up in Blackpool with adoptive parents his caregivers, who changed his given name from his birth name to his adopted name, alongside his younger sister his sister, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly recorded an extended play.

Creative Collaboration

The duo were an distinctive combination: Ball was the quiet musician, bent over his keyboard, while Almond was a charismatic performer, all glitter and makeup; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after viewing Kraftwerk perform on a television science show a popular series, and began to combine dark electronica to the catchy tunes Almond was writing.

Tainted Love became the United Kingdom's second biggest-selling song of the early 80s, shifting millions of units globally. Alongside successful tracks by other artists, contemporary bands and Ultravox, it helped cleared the way for the synth-pop sound of the 80s.

The song was also featured on their first album, their initial LP, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's death

Professional Journey

Success had its upsides. "I loved being able to purchase my initial property, having money and exploring, which might seem like a beauty queen," Ball recently shared with a publication.

But it also caused problems. "Sudden riches meant we could purchase newfound drugs to relieve the monotony" of media interviews and TV performances, Ball explained.

"I realize that's a cliché, but it's a truism for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to produce a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.

Following a further break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed active, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently described the duo's upcoming release as a homage to the New York club scene they frequented while making their first two albums.

He added that his period in hospital had influenced the band's sound.

"I had strange recollections when I was in and out of hospital because I was on morphine," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my head from those days.
"Simultaneously, it's about the experiences me and Marc got up to in the 80s."

The last versions were completed only a short time before Ball passed away. It is due for release in Spring 2026.

The writer

Carrie Diaz

A blockchain researcher and fintech writer with over a decade of experience in digital currency markets and decentralized technologies.

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